Artist Julie Green died this month after being diagnosed with cancer. “Green, a high-profile artist whose paintings also examined gender roles, wrongful convictions, animal abuse, and their own colorful lives – from a childhood in Japan to a teaching post in Oregon – was 60 years old. years old when they died Oct. 12 at their home in Corvallis, Ore., “The Washington Post reported on Friday.
Also an art professor at Oregon State University, Green was best known for creating “The Last Supper,” 1,000 white plates adorned with cobalt blue artwork that represented the last meal of American prisoners on their way to the death chamber. A current exhibition at the Bellevue Arts Museum features hundreds of these plaques.
According to the museum’s website, Green, who lived in the Willamette Valley with her husband and artist Clay Lohmann, spent “half of each year, usually the winter months, […] The painting The last supper. ”
Green was a recipient of the Joan Mitchell Foundation Grant for Painters and Sculptors and the Hallie Ford Foundation Fellowship, and was included in A World of Art published by Prentice Hall. Green has had forty-two solo exhibitions in the United States and abroad at venues such as The Armory Show in New York, Upfor in Portland, The Block Museum at Northwestern University, Hunter Museum of American Art, and University of Liverpool. Art Museum.
The artist wrote for the exhibition “The Last Supper” in 2020:
“Growing up, I admired the quilts and ceramics in our Iowa home, as well as the larger-than-life historical figures and the 20-foot American flag made from colorful corn on the cob in a backyard. neighbor. The appreciation for home made and handmade has led me to paint food blue. I once shared my family’s support for Nixon and capital punishment. Now I don’t do that anymore.
Oklahoma has more executions per capita than Texas. I taught there, and that’s how I read the last meal requests in the morning paper. The Last Supper illustrates the requests for meals from American death row inmates. Cobalt blue mineral paint is applied to used ceramic plates and then baked at 1400 degrees by technical advisors Toni Acock and Sandy Houtman.
[…] While seeking a permanent home for the project, unless the death penalty ends soon, I will continue until there are 1,000 plaques. For me, one last meal request humanizes death row. The menus provide clues to region, breed and economic background. A family history becomes evident when Indiana Corrections adds, “He told us he never had a birthday cake, so we ordered a birthday cake for him.”
Art can be a meditation. Why do we have this tradition of final meals, I wondered, after seeing a 1999 request for six tacos, six frosted donuts, and a cherry coke. Twenty-one years later, I still wonder. “